My book finally arrived at Waterstones and they promptly called me when it was ready for collection. Sadly, it appears that it's been used as a rugby ball. These probably sound like the ramblings of a paranoid schizophrenic, but I'm guessing the fact that I complained about the delay has played some part in this. The cover is all bent (with a massive crease down the front of the book) and the spine and back cover are scuffed to hell. Yes, I'm a little annoyed that a company as large and reputable as Waterstones can allow this sort of thing, but then again maybe it just got like this in transit. Either way, Waterstones have lost a customer in me - when you spend £20 on a book (a fucking book!), you expect to get it on time and in an acceptable condition. By God, what has happened to customer service? I've seen books on car boot sales in better condition that this supposedly new copy of House of Leaves. Bah! At least it's here though - which is the main thing.
I shall be delving into it later on this evening and imparting my thoughts on this very blog in due course. On the subject of books and bookstores though, I noticed an advert on TV t'other day for the Barnes & Noble Nook. Does this mean B&N are finally launching in the UK? If they do, they won't have to try very hard to kick Waterstones' arse judging by my recent experience - all they'll have to do is not send orders to wrong parts of the country, and then deliver said orders in a condition vaguely approaching 'new.' Oh, and maybe employ staff that don't have massive tattoos of the Batman symbol on their forearms (with matching batarang earrings) or look like Hagrid stunt doubles. Seriously, I'm all for people being individuals and shit - but at least try to make yourself look presentable whilst being 'individual.' There are certain shops where it seems to be a prerequisite that you've got bright blue hair and a luminous nose ring in order to get a job there. Gamestation is one such place. Why? I'm a gamer. I'm probably the biggest games geek I know, but it doesn't make me want to walk around wearing a ripped tablecloth and have a gravestone tattooed on my neck.
HMV is another one. Actually - wait an fucking minute, there's a trend developing here (I think). Gamestation. HMV. Waterstones. All shops I've been in recently where at least one member of staff has had black lipstick on (and their sex didn't seem to matter). Curious. There's definitely some kind of link or correlation going on here...but I really can't deduce what it is. I suppose all of these stores sell electronics of some form...maybe that's it? I don't know, but it seems to be the de rigueur for somebody whose job it is to stand around offering (usually incorrect) music or games or book advice to middle aged people in beige trousers and brown NHS spectacles.
I seem to have gone off on quite an unexpected tangent there...but speaking of the Nook, it looks like quite a nice e-reader/tablet thingy. But seeing as I've already got both a Kindle and a BlackBerry Playbook (a device which also allows you to...er...e-read), I don't think I've got much need for one. Maybe I'll go and ask the steampunk goth working in Rumbelows for his/her advice.
I recently bought The Click Five's second album Modern Minds and Pastimes. If anyone in the UK knew who The Click Five were, I'd probably get kicked to death and then set alight, but thanks to their total lack of presence here, I'm good (for now). Basically, TCV (as they shall henceforth be referred to) are what would be produced if Rivers Cuomo ass-raped any one of McFly. They're a band who sing ever-so-catchy pseudo indie/pop and sing it fucking well. I've had their first album for ages (can't remember where I even got it from) and most of the tracks are pretty hummable, but then a few weeks ago I bought their third album off iTunes. My god - what a record. So on Monday night I paid another £7.99 for their second album...and it's easily as good. Want three albums of toe-tapping power pop? TCV should be your first port of call.
Other recent media-related good shit I've encountered: Seasick Steve (music), Moneyball (film), Warehouse 13 (TV series). Seek them all and thou shalt be rewarded.
Showing posts with label Films. Show all posts
Showing posts with label Films. Show all posts
Thursday, 1 November 2012
Wednesday, 31 October 2012
Bondage
Had my second Bond-at-the-cinema
experience last night. Yep, went to see Skyfall. The only other time
I've been to see a Bond movie at the pictures was when I went to see
Die Another Day, which was a pile of shit and incidentally Pierce
Brosnan's last outing as everyone's favourite nymphomaniac
espionagologist-amajig. Take from that what you will. There's
probably nothing more to take from it than it was the end of his
movie deal, but hey. So Skyfall, then. I have to admit that I've
never been the biggest fan of these 'new' Bond films with Daniel
Craig. Casino Royale (even with it's fucking awesome theme tune –
cheers Chris Cornell) was a bit of a mess in my opinion and Quantum
of Solace...well I didn't even bother watching it after a) I found
Casino Royale such a laborious slog; and b) most people who saw it (including
friends who are massive film geeks) told me it was really confusing.
Skyfall then, is a welcome step back in the right direction for the
franchise as far as I can tell.
The pre-credits sequence features one of the best chase scenes I've seen (even if does traipse across the very same Istanbul rooftop as Liam Neeson does in Taken 2), and is easily as memorable as GoldenEye's opening segment (y'know, where Bond rides a motorbike off a cliff after a falling, pilotless plane, defies terminal velocity to reach and climb inside it and then wrestles it back into the sky...as Tina Turner's epic theme tune kicks in. Fucking ejaculatory stuff right there). I also feel special mention must go to Adele's theme song here too. The one for Quantum of Solace (Jack White and Alicia Keys, if memory serves) was a hideous, out-of-touch mess, so kudos to the director/producers/whoever for getting someone who can actually sing and write music to pen the score for the second most important section of any Bond film.
The pre-credits sequence features one of the best chase scenes I've seen (even if does traipse across the very same Istanbul rooftop as Liam Neeson does in Taken 2), and is easily as memorable as GoldenEye's opening segment (y'know, where Bond rides a motorbike off a cliff after a falling, pilotless plane, defies terminal velocity to reach and climb inside it and then wrestles it back into the sky...as Tina Turner's epic theme tune kicks in. Fucking ejaculatory stuff right there). I also feel special mention must go to Adele's theme song here too. The one for Quantum of Solace (Jack White and Alicia Keys, if memory serves) was a hideous, out-of-touch mess, so kudos to the director/producers/whoever for getting someone who can actually sing and write music to pen the score for the second most important section of any Bond film.
The movie calms down somewhat after the
intro but the storyline is unmistakably 'old school' Bond, with an unknown
enemy wreaking havoc across London and Bond returning from oblivion
(along with a cracking new cast playing familiar character roles) to
kick ass. There are also some genuinely funny bits too (the chase
through a rush-hour Underground station and train, for example, is brilliantly done and the humour is very subtle but was met with a
crescendo of laughter from the audience), but this is matched with
some 'how the fuck is Bond gonna get out of this' juxtaposition. It's
a really good entry in the Bond series and a true return to the
action/thriller genre that the franchise so desperatley needed in
order to coax back punters who, like me, have probably seen most of
the films, but aren't die hards. Oh, and my opinion of Craig's Bond
has been altered by his performance here – the character is at times frail and references to his age are chucked in here and there, as
well as his (obvious) reliance on drink and women.
It's hard to see how the next Bond film
will top Skyfall, but it needs to in order to compete with all the
other spy-based shit that's trying to usurp him as the master of the
genre. We've already had the Bourne films and Mission Impossible
series, and no doubt there'll be more of them to come, so hopefully we
cinema-goers have a lot to look forward to. One thing's for sure
though – whenever Daniel Craig passes on the mantle, his
replacement will have some damn big shoes to fill.
I took my Suzuki Goose for a service on
Friday. As I suspected, it actually needed a bit of work as it looks
as though the previous owners (both here and in Japan(!)) had never
actually had it looked at – just ridden and ridden it to oblivion.
As such, the oil that the mechanic drained out of the engine looked
like treacle and it needs a new back brake disk and possibly a new
chain. It's still legal to ride, but that shit costs money. In my
defence, I instructed the mechanic to order a new brake disk and ring
me when it arrives so he can fit it. Has he called? Nope. So fuck
him. I'll go to a more reputable place to see if they can beat his
quote, which was a tad high, considering his workshop is primarily a
place that deals with gardening equipment and lawnmowers. Still, the
service he did carry out has resulted in a marked improvement in
performance for the Goose. She seems to run that little bit smoother,
with less backfiring at high revs in a low gear, and he also sorted
the headlight out. So it's not all bad – he just needs to sort his
customer service and pricing skills. And maybe buy a pack of breath
mints.
In a totally unrelated matter, I
stumbled across a rather intriguing book this weekend. Or rather, I
stumbled across a reference to a rather intriguing book whilst
reading something online. I took this reference to Wikipedia and from
there a bit of an obsession has developed. Basically, I was reading
something on Cracked.com and the author made a reference to a book
called House of Leaves. I read up about this House of Leaves and
found myself absorbing the whole Amazon 'look inside' preview. I knew
that as soon as I'd read the synopsis (I won't even bother here –
it's way too complicated...but look here for yourself and tell me it
doesn't sound awesome) I had to have it. So I've been and ordered a
copy from Waterstones. The girl behind the counter who took my order
said it should be ready for collection at the local store by today at
the latest, but because I'm in Gloucester (incidentally, the only
branch in the West Midlands not to hold a copy of House of Leaves), I
know for a fact that it won't be there when I go in at lunchtime.
That's because Gloucester, in every way imaginable, is a shitty place
to live and this is just one way of illustrating it. But I've already covered that at great length.
Unfortunately, the arrival of House of Leaves in Waterstones
(whenever that may be) means that my current book (the second in the
Night Angel trilogy) will have to go on hiatus.
Oh, and happy Halloween. If there can be such a thing.
UPDATE 1
As predicted, I went to Waterstones at lunchtime to collect my book and they didn't have it. To add insult to injury, the 'customer service' guy didn't even know when it'd be delivered for collection! I was told on Monday that it'd be there today! There is no way it takes 3 days for a book to be sent from one Waterstones branch to another, especially when the one in the next town has a fucking copy! Just another reason I hate Gloucester with all my heart. I looked on the Waterstones website to see which local stores have copies of House of Leaves, and yep - you guessed it, every single branch in the entire county (and the surrounding counties) have 1 or more copies of the fucking thing sitting on shelves. Just not the one here, where I live, in this miserable shit hole. God I can't wait to leave this:
UPDATE 2
Waterstones just called me. My copy of House of Leaves was sent to the Yeovil store instead of the Gloucester store. I guess its an easy mistake to make, seeing as the words Yeovil and Gloucester look so fucking similar.
Oh, and happy Halloween. If there can be such a thing.
UPDATE 1
As predicted, I went to Waterstones at lunchtime to collect my book and they didn't have it. To add insult to injury, the 'customer service' guy didn't even know when it'd be delivered for collection! I was told on Monday that it'd be there today! There is no way it takes 3 days for a book to be sent from one Waterstones branch to another, especially when the one in the next town has a fucking copy! Just another reason I hate Gloucester with all my heart. I looked on the Waterstones website to see which local stores have copies of House of Leaves, and yep - you guessed it, every single branch in the entire county (and the surrounding counties) have 1 or more copies of the fucking thing sitting on shelves. Just not the one here, where I live, in this miserable shit hole. God I can't wait to leave this:
Gloucester 'city' centre, October 2012 |
Waterstones just called me. My copy of House of Leaves was sent to the Yeovil store instead of the Gloucester store. I guess its an easy mistake to make, seeing as the words Yeovil and Gloucester look so fucking similar.
Tuesday, 9 October 2012
Taken 2: Far
Half a Guinness. Now. |
Right - now we've got that out of the way, I'll begin. Taken 2 is fucking wank compared to the first one. It's a step too far. The first movie was acceptable, even with it's slightly outlandish plot, because it pretty much just came out of nowhere. Taken just appeared and it was all leather jackets and bent Parisian cops and explosions...and just a guy trying to rescue his little girl. Taken 2 is pretty much the same...but it just feels a little bit old. They've taken (hehe!) the plot of the first movie, tweaked it slightly, and then shat out a half-arsed cash-in. Sure, there are fights, a few car chases and Liam Neeson skulking around in a leather jacket smashing people's faces in with iron bars...but it just feels so hackneyed. It's like the director thought "well, they liked this shit in the first one, so here's some more!" Well, prick - the first film at least retained a (admittedly very slight) grip on reality. It didn't involve the lobbing of grenades around one of the most heavily populated cities in Europe...with no repercussions. It didn't involve a chase scene that lasted 10 minutes and consisted of constantly repeated sound bites of Liam Neeson shouting "go...faster!" while his daughter squealed "I can't!" (she could - she's driving a fucking Mercedes). It didn't climax with Neeson pushing a bloke's head onto a coat hook. Taken 1 was an out and out revenge movie and for that I salute it. It doesn't pretend to be anything but. Taken 2 on the other hand has some pretentious crap about the father of the tortured child kidnapper from the first film (the guy rigged up to the mains by his knees) coming out of retirement to find and kill Neeson and his family. This is nonsensical on so many levels, but there we are.
I noted that several of the reviews I had read gave Taken 2 a pretty harsh time, but I put this down to the overly negative view most 'professional' reviewers have when it comes to anything that isn't shot in black and white with a Spanish soundtrack. Upon viewing it myself, I have to say that, even as an action film Taken 2 is below par. And the final scene? Don't get me started. Go and watch it yourself and tell me it's anywhere near as good as the first one. If you disagree, know this: I have a very particular set of skills.
Monday, 8 October 2012
Weekend Endevours
Went down to Bristol on Friday to collect my prize from the
Heart FM competition I won after last week’s half marathon. The prize was £1000
in shopping vouchers for anywhere in Bristol city centre, and they could be
split across five different stores. I did a little bit of research into which
shops I might want to get vouchers for, but as I’m an indecisive twat at the
best of times, I opted to get Cabot Circus vouchers. For those who don’t know,
Cabot Circus is a new(ish) shopping mall in Bristol that is kind of like the
Bristolian version of the Manchester Arndale, and is named after the famous
Italian explorer Giovanni ‘John’ Cabot. He set sail from Bristol in the 1400s
and is widely reputed to be one of the first Europeans to set foot on the
American mainland. How thrilled his spirit must be to have a shopping centre
named after him. So yeah, I got the vouchers as gift cards that could be used
in any of the shops in the Cabot Circus complex. Before I could go off in
search of 'stuff' though, I took part in a photo shoot for the local newspaper
(The Bristol Post) and also for the Heart FM website where I had to hold a load
of shopping bags stuffed with towels to simulate, er, shopping. Twas all very
amicable, and I would like to thank the staff from Heart for the prize...even
if the chance of any of them actually reading this dirge is miniscule. Off I
popped then, to Cabot Circus.
The first place I went to was H & M. I looked at the garishly hued men’s clothing department and quickly decided that I’d rather be tried as a 12th Century heretic than wear any of their clobber, although I did need some new socks so I picked up a pack of 12 and headed to the cash desk. I handed over my gift card and the girl behind the counter just stared blankly at it. She tried to process it as a normal debit card and it wouldn’t work, so she went off to speak to a manager. After about 5 minutes, she came back and declared that the shop didn’t accept Cabot Circus gift cards. A little confused, I left H & M and went into Next, which was next door, funnily enough. I tried to purchase a pair of jeans...only to be told that they didn’t accept gift cards. Onwards I went, to the Apple Store, where I found a rather nice iPod armband running thingy. Tried to buy it...couldn’t because the little mobile chip and pin things that the Apple ‘geniuses’ carry around with them don’t accept gift cards. 3 shops...3 times I’m told that my prize is useless. I almost fucking exploded with rage at the guy.
With that, I marched off to the customer information desk within Cabot Circus and told them that no matter where I went, none of the shops were accepting my gift card. The staff there were actually pretty helpful and explained that every store within the mall had signed up to the scheme and that they should all take the cards. With that, one of them went back to H & M with me, verbally bitch-slapped the staff behind the counter and made them ring the socks through (that were still on the counter where I’d left them 20 minutes earlier). Lo and behold, the card suddenly worked! I had some new socks! I thanked the woman who had accompanied me and she assured me that if I had any further problems using the gift card, that she’d be back to help. I had more problems with staff who didn’t know how to process the gift card, but they were generally overcome after several calls for management staff etc. In the end, I managed to get a few useful items including a new rucksack (for next year’s expedition to Thailand), a Lonely Planet guide to Thailand, a few T-Shirts and a few birthday presents for my niece. I didn’t spend the lot – how could anyone spend £1000 in a day?! I just got a few things I actually needed and bought a few presents for people. I still didn’t manage to get anything from the goddamned Apple Store though, as they insisted that their payment machines weren’t compatible with the gift card. Which kind of figures really – Apple and ‘incompatible with the mainstream’ go hand in hand. The thing that struck me was how many of the stores in Cabot Circus gave me crap and treated me like some kind of criminal just because I was using a gift card. They really need to sort that shit out as I’ve no doubt I’ll be the first or last shopper who comes into contact with untrained shop staff only to be told that particular stores don’t accept them...when in fact, they do.
Saturday I was kind of dreading slightly, as it heralded the first proper long-distance journey on the Suzuki Goose. As documented here, the previous times I have taken it onto the motorway, it’s died on me. Granted, both times it was down to either having the fuel tap on ‘reserve’ or simply having no fuel, but like one of Pavlov’s dogs, I had become accustomed to associating the M5 with the spluttering and eventual packing up of the bike’s engine. I needn’t have worried though, as Saturday’s early morning trip down to Dorset went without any hitches at all. In fact, it flew by with alarming rapidity, thanks to the extra 100cc I now have at my disposal. The only things that were slightly unwelcome were the extremely cold wind and the mildly uncomfortable riding position of the Goose – it’s not really the kind of bike you want to be doing 200 mile journeys on unless you’ve got a well-padded arse. I don’t, so I was walking like John Wayne on arrival at my destination. Apart from that though – no problems at all. The bike itself is fairly tatty (what can you expect from a 20 year old machine?), but when it’s got enough petrol in, it runs like a dream and goes like greased lightning. Here are a few pictures I took of the Goose over the weekend:
Saturday night involved a wedding party during which I discovered a taste for Gin and Tonic and Sunday was spent recovering from the G&T tsunami from the night before. Also saw the new Liam Neeson film Taken 2 on Saturday afternoon – next up: my rambling thoughts.
The first place I went to was H & M. I looked at the garishly hued men’s clothing department and quickly decided that I’d rather be tried as a 12th Century heretic than wear any of their clobber, although I did need some new socks so I picked up a pack of 12 and headed to the cash desk. I handed over my gift card and the girl behind the counter just stared blankly at it. She tried to process it as a normal debit card and it wouldn’t work, so she went off to speak to a manager. After about 5 minutes, she came back and declared that the shop didn’t accept Cabot Circus gift cards. A little confused, I left H & M and went into Next, which was next door, funnily enough. I tried to purchase a pair of jeans...only to be told that they didn’t accept gift cards. Onwards I went, to the Apple Store, where I found a rather nice iPod armband running thingy. Tried to buy it...couldn’t because the little mobile chip and pin things that the Apple ‘geniuses’ carry around with them don’t accept gift cards. 3 shops...3 times I’m told that my prize is useless. I almost fucking exploded with rage at the guy.
With that, I marched off to the customer information desk within Cabot Circus and told them that no matter where I went, none of the shops were accepting my gift card. The staff there were actually pretty helpful and explained that every store within the mall had signed up to the scheme and that they should all take the cards. With that, one of them went back to H & M with me, verbally bitch-slapped the staff behind the counter and made them ring the socks through (that were still on the counter where I’d left them 20 minutes earlier). Lo and behold, the card suddenly worked! I had some new socks! I thanked the woman who had accompanied me and she assured me that if I had any further problems using the gift card, that she’d be back to help. I had more problems with staff who didn’t know how to process the gift card, but they were generally overcome after several calls for management staff etc. In the end, I managed to get a few useful items including a new rucksack (for next year’s expedition to Thailand), a Lonely Planet guide to Thailand, a few T-Shirts and a few birthday presents for my niece. I didn’t spend the lot – how could anyone spend £1000 in a day?! I just got a few things I actually needed and bought a few presents for people. I still didn’t manage to get anything from the goddamned Apple Store though, as they insisted that their payment machines weren’t compatible with the gift card. Which kind of figures really – Apple and ‘incompatible with the mainstream’ go hand in hand. The thing that struck me was how many of the stores in Cabot Circus gave me crap and treated me like some kind of criminal just because I was using a gift card. They really need to sort that shit out as I’ve no doubt I’ll be the first or last shopper who comes into contact with untrained shop staff only to be told that particular stores don’t accept them...when in fact, they do.
Saturday I was kind of dreading slightly, as it heralded the first proper long-distance journey on the Suzuki Goose. As documented here, the previous times I have taken it onto the motorway, it’s died on me. Granted, both times it was down to either having the fuel tap on ‘reserve’ or simply having no fuel, but like one of Pavlov’s dogs, I had become accustomed to associating the M5 with the spluttering and eventual packing up of the bike’s engine. I needn’t have worried though, as Saturday’s early morning trip down to Dorset went without any hitches at all. In fact, it flew by with alarming rapidity, thanks to the extra 100cc I now have at my disposal. The only things that were slightly unwelcome were the extremely cold wind and the mildly uncomfortable riding position of the Goose – it’s not really the kind of bike you want to be doing 200 mile journeys on unless you’ve got a well-padded arse. I don’t, so I was walking like John Wayne on arrival at my destination. Apart from that though – no problems at all. The bike itself is fairly tatty (what can you expect from a 20 year old machine?), but when it’s got enough petrol in, it runs like a dream and goes like greased lightning. Here are a few pictures I took of the Goose over the weekend:
Saturday night involved a wedding party during which I discovered a taste for Gin and Tonic and Sunday was spent recovering from the G&T tsunami from the night before. Also saw the new Liam Neeson film Taken 2 on Saturday afternoon – next up: my rambling thoughts.
Thursday, 27 September 2012
Dreddnaught
One
of the things most car drivers take for granted is the fuel gauge on their
dashboard. I don’t have one on my current bike, due to the no-frills nature of
the instrument panel. All I’ve got is a speedo, a rev counter, indicators,
neutral and hi-beam icons. That’s it. No fuel gauge, no oil temperature...nothing
but the basics. It’ll probably come as no surprise to read then, that on Monday
afternoon I ran out of petrol. On the M5. It wasn’t a particularly nice
experience, especially as I was overtaking a lorry at the time. There I was,
thundering along at 80mph when suddenly the bike started to lurch and grumble,
lost all power and started to slow down. Luckily, the motorway was fairly quiet
so I was able to indicate into the outside lane and then trundle to a halt on
the hard shoulder. I wasn’t actually aware of the reason for the bike’s
reluctance to start up again (I just thought it was a re-occurrence of the
problems I had a few weeks ago) until I opened the fuel tank and shook the bike
from side to side. Empty. Great. I was two miles from the junction I was
planning on coming off at so I had no choice but to push the Suzuki up the hard
shoulder and up the ramp and then negotiate a bridle path before finding a
petrol station. I filled up, and she started first time. So, if you happened to
see a bloke pushing a Suzuki Goose up the M5 on Monday afternoon – that was me!
Also, let this be a lesson to you: never underestimate the power of the petrol gauge. To be fair, I’ve had the bike for a few weeks now, and the only time I’d actually put any fuel in it was when I put a fiver’s worth in...erm...a few weeks ago. So I’ve only got myself to blame really. Small engine bikes are so fuel efficient, you almost forget that they actually require fuel, and without the gauge on the dash screaming ‘put some petrol in you dick!,’ it’s easy to forget. Furthermore - Suzuki Gooses (Geese?) are heavier than they look, so pay attention to your petrol level, fellow non-gaugers.
It wasn’t all bad though – my faith in humanity was restored slightly by the number of other bikers who pulled over to ask if they could help. When I told them I was out of fuel, most of them offered to take me to the nearest petrol station...but then we realised I had no petrol can and that it would require going back down the motorway to the next junction and coming back up on the other side in order to get back to the Suzuki. So I just resided to push it. But to those helpful fellow motorcyclists, I say thank you: you just don’t get that kind of assistance when you drive a car.
I went to see the new Judge Dredd film the other day. I had high hopes for it, seeing as I’m quite familiar with the comic-based version of Dredd. Back in my early teens, 2000AD was one of the many periodicals I would waste my mum’s child benefit money on (or, if I happened to have a paper round for that particular month, my own money), so the Dredd character is one I have a particular interest in. When I actually sit and think about it, 2000AD and the various ‘Tharg’s Future Shocks’ spin-off comics were probably my first real exposure so science fiction, so you can see why I was really rooting for this new movie to be kick ass. I love the whole setting of the franchise – the huge, dirty mega cities, the idea of a no-man’s land outside the city walls, the dystopian lifestyle depicted within said walls. It’s like Blade Runner and 1984 rolled together, but with a bit of dark humour thrown in for good measure.
The first Dredd movie didn’t do particularly well at the box office, but I still think it’s a pretty decent film (even if Dredd/Stallone does take his helmet off). I reckon the reason for that film’s lack of success was that the whole Judge Dredd thing was/is a British comic strip and American knowledge of it in the early 1990s was pretty limited. I’m guessing most people in the US had no idea what the fuck Judge Dredd was meant to be when the Stallone version launched. What? It’s a courtroom drama? Set in the future? With Rambo in it? I’ll pass, thanks.
So the latest take on the Dredd universe? Well, it’s pretty fucking good to be honest. I wasn’t sure what to think when I heard that Karl Urban had been cast as the main man, but his performance was outstanding. And his chin/grimace is more ‘Dredd’ than Stallone’s could ever be. The storyline is fairly basic – Dredd and a new recruit (Anderson) get called to a homicide in one of the city’s vast tower blocks (remember the ‘block wars’?) and discover a massive drug manufacturing plot. The drug lord behind the operation then locks the block down and orders her gangsters to flush the Judges out before they can shut her down. It’s a simple story, but set in this world, it’s enough to power an entire movie. I don’t know what it is about Karl Urban, but he just ‘does’ Dredd so fucking well, and the gore and slow-motion effects blend perfectly with the firefights and humour. Don’t get me wrong – this isn’t a comedy, but there are a few laugh-out-loud moments along the way.
The only slight criticisms I have of the movie are the lack of character exploration of Dredd himself and the lack of exploration of Mega City One. Remember in the previous movie how the whole thing kind of hinged on Dredd’s past – the way he was cloned, had a long-lost brother and all that shit? And then there were the sections with the flying Lawmasters that showed you more of the city? There just isn’t any of that in this new one. I suppose this just sets up the possibility of a sequel where we get to see more about Dredd’s past and more of the city, so it’s not all bad...but I was left wanting more from the storyline. Also – where was the fucking ABC warrior?! More ABC warriors in the sequel, please.
So Dredd then. Worth a watch if you’re a fan of the subject matter, but also worth a watch if you’re a fan of the science fiction genre in general, as the pickings at the cinema are a bit thin on the ground at the moment...apart from Looper, which everyone is raving about. It looks intriguing from the trailers I’ve seen thus far...I just hope it doesn’t turn out to be Inception or The Adjustment Bureau all over again. Two films which looked fucking awesome...but turned out to be either incomprehensible bullshit (Inception), or a totally wasted opportunity (Bureau).
I only really go to the cinema if there’s a film on that I really, really want to see (I think the last thing I saw wasPrometheus The Dark Knight Rises), mainly because it’s so fucking
expensive. Dredd was only showing in 3D so I had to pay for the glasses too,
and even though Cineworld advertise Tuesdays as ‘bargain Tuesdays,’ I still
ended up forking out nearly £9 for the pleasure. When I got into the theatre
after all the fucking weirdoes watching Anna Karenina had cleared out, I found
that I was pretty much on my own and had the entire cinema to pick a seat from.
So I sat right in the middle so I could get the best view of the screen and
optimum 3D viewing angle. No sooner had I sat down than these two fuckwits came
in and sat right behind me. As soon as their asses touched the seats, they
cracked open cans of coke, started rustling crisp bags and began a full-blown
conversation at the tops of their voices. Fair enough, I thought – they’ll shut
up as soon as the trailers start. They didn’t. They carried on talking – at full
volume – right through the start of the movie and beyond. When one of them
started kicking the row of chairs I was sat in, I turned around and looked at
them. This was enough to shut them up...for about 5 minutes, and then they
started again. I just got up and moved to another aisle, and even though I was
far enough away from the pricks to enjoy the rest of the movie, I could still
hear them from the other side of the auditorium during quiet moments in the
film. Who does that? Who pays nearly ten quid to go to the cinema and then talk
through the whole fucking movie? I was determined to find out.
After the credits started to roll, I went outside and waited for these two fucktards to emerge from the cinema. Because of the lateness of the hour and the small number of people watching the film, I easily spotted them after about 3 minutes of loitering, and I approached. “Thanks for the running commentary,” I began, “I really enjoyed paying £9 to listen to you talk through the entire film.” One of them was quite big and I was expecting trouble, but he stepped closer to me and apologised. I didn’t want his fucking apology at that point, but I was glad I’d given them a piece of my mind, as most people today just let shit like this slide because they’re scared to open their mouths in case they get shanked. Not me. If someone threatens to shank me, I’ll shank the fucker first – in the eye. But that’s just how I roll. Anyway, this bloke started apologising whilst the other one was suddenly quiet. Turns out it was a dad with his mentally handicapped son. The son is on medication for his extreme ADHD and other mental issues and that’s why they were talking – it’s the only way to keep the son’s attention and stop him wandering off etc. I did feel a bit bad about jumping to conclusions and having a go at them without knowing the facts, but how the hell was I supposed to know? I can totally see why the guy took his son to the cinema at 9.30 if he has to talk to him through a showing...but why sit right behind the only other person in there?! Jesus.
Last bit of overly geeky horse shit: I’ve finally discovered why I can’t play original Xbox games in my 360: the hard drive. You see, my 360 is one of the slim ones, but it’s the matte black 4GB version. I discovered, much to my dismay mere weeks after I’d bought it, that 4GBs of memory simply aren’t enough if you want to install games and demos etc on your system. So off I went to eBay and I got an unbranded HDD for peanuts, whacked it in, and hey presto – more space than I’m ever likely to fill! Winner! Alas, I’ve since discovered that due to the lack of a partition for the saving of original Xbox game files, this unofficial hard drive renders the console unable to load original Xbox games...so no Halo 2 or Outrun 2 unless I go and give Microsoft even more of my hard-earned for an official hard drive. And to that I stick two fingers up.
It’s the Bristol half marathon this Sunday and I’ve already got my race number and timing tag etc. This’ll be the first race I’ve taken part in this year where I haven’t been totally smashed the night before, so I’ll be sure to divulge on here how I get on. Bearing in mind that all of the previous post night-out races have resulted in either personal bests (Sturminster Newton ½ Marathon) or podium finishes (Puddletown 3rd and East Manchester 2nd), I reckon it’ll be interesting to see how I get on.
Also, let this be a lesson to you: never underestimate the power of the petrol gauge. To be fair, I’ve had the bike for a few weeks now, and the only time I’d actually put any fuel in it was when I put a fiver’s worth in...erm...a few weeks ago. So I’ve only got myself to blame really. Small engine bikes are so fuel efficient, you almost forget that they actually require fuel, and without the gauge on the dash screaming ‘put some petrol in you dick!,’ it’s easy to forget. Furthermore - Suzuki Gooses (Geese?) are heavier than they look, so pay attention to your petrol level, fellow non-gaugers.
It wasn’t all bad though – my faith in humanity was restored slightly by the number of other bikers who pulled over to ask if they could help. When I told them I was out of fuel, most of them offered to take me to the nearest petrol station...but then we realised I had no petrol can and that it would require going back down the motorway to the next junction and coming back up on the other side in order to get back to the Suzuki. So I just resided to push it. But to those helpful fellow motorcyclists, I say thank you: you just don’t get that kind of assistance when you drive a car.
I went to see the new Judge Dredd film the other day. I had high hopes for it, seeing as I’m quite familiar with the comic-based version of Dredd. Back in my early teens, 2000AD was one of the many periodicals I would waste my mum’s child benefit money on (or, if I happened to have a paper round for that particular month, my own money), so the Dredd character is one I have a particular interest in. When I actually sit and think about it, 2000AD and the various ‘Tharg’s Future Shocks’ spin-off comics were probably my first real exposure so science fiction, so you can see why I was really rooting for this new movie to be kick ass. I love the whole setting of the franchise – the huge, dirty mega cities, the idea of a no-man’s land outside the city walls, the dystopian lifestyle depicted within said walls. It’s like Blade Runner and 1984 rolled together, but with a bit of dark humour thrown in for good measure.
The first Dredd movie didn’t do particularly well at the box office, but I still think it’s a pretty decent film (even if Dredd/Stallone does take his helmet off). I reckon the reason for that film’s lack of success was that the whole Judge Dredd thing was/is a British comic strip and American knowledge of it in the early 1990s was pretty limited. I’m guessing most people in the US had no idea what the fuck Judge Dredd was meant to be when the Stallone version launched. What? It’s a courtroom drama? Set in the future? With Rambo in it? I’ll pass, thanks.
So the latest take on the Dredd universe? Well, it’s pretty fucking good to be honest. I wasn’t sure what to think when I heard that Karl Urban had been cast as the main man, but his performance was outstanding. And his chin/grimace is more ‘Dredd’ than Stallone’s could ever be. The storyline is fairly basic – Dredd and a new recruit (Anderson) get called to a homicide in one of the city’s vast tower blocks (remember the ‘block wars’?) and discover a massive drug manufacturing plot. The drug lord behind the operation then locks the block down and orders her gangsters to flush the Judges out before they can shut her down. It’s a simple story, but set in this world, it’s enough to power an entire movie. I don’t know what it is about Karl Urban, but he just ‘does’ Dredd so fucking well, and the gore and slow-motion effects blend perfectly with the firefights and humour. Don’t get me wrong – this isn’t a comedy, but there are a few laugh-out-loud moments along the way.
The only slight criticisms I have of the movie are the lack of character exploration of Dredd himself and the lack of exploration of Mega City One. Remember in the previous movie how the whole thing kind of hinged on Dredd’s past – the way he was cloned, had a long-lost brother and all that shit? And then there were the sections with the flying Lawmasters that showed you more of the city? There just isn’t any of that in this new one. I suppose this just sets up the possibility of a sequel where we get to see more about Dredd’s past and more of the city, so it’s not all bad...but I was left wanting more from the storyline. Also – where was the fucking ABC warrior?! More ABC warriors in the sequel, please.
So Dredd then. Worth a watch if you’re a fan of the subject matter, but also worth a watch if you’re a fan of the science fiction genre in general, as the pickings at the cinema are a bit thin on the ground at the moment...apart from Looper, which everyone is raving about. It looks intriguing from the trailers I’ve seen thus far...I just hope it doesn’t turn out to be Inception or The Adjustment Bureau all over again. Two films which looked fucking awesome...but turned out to be either incomprehensible bullshit (Inception), or a totally wasted opportunity (Bureau).
I only really go to the cinema if there’s a film on that I really, really want to see (I think the last thing I saw was
After the credits started to roll, I went outside and waited for these two fucktards to emerge from the cinema. Because of the lateness of the hour and the small number of people watching the film, I easily spotted them after about 3 minutes of loitering, and I approached. “Thanks for the running commentary,” I began, “I really enjoyed paying £9 to listen to you talk through the entire film.” One of them was quite big and I was expecting trouble, but he stepped closer to me and apologised. I didn’t want his fucking apology at that point, but I was glad I’d given them a piece of my mind, as most people today just let shit like this slide because they’re scared to open their mouths in case they get shanked. Not me. If someone threatens to shank me, I’ll shank the fucker first – in the eye. But that’s just how I roll. Anyway, this bloke started apologising whilst the other one was suddenly quiet. Turns out it was a dad with his mentally handicapped son. The son is on medication for his extreme ADHD and other mental issues and that’s why they were talking – it’s the only way to keep the son’s attention and stop him wandering off etc. I did feel a bit bad about jumping to conclusions and having a go at them without knowing the facts, but how the hell was I supposed to know? I can totally see why the guy took his son to the cinema at 9.30 if he has to talk to him through a showing...but why sit right behind the only other person in there?! Jesus.
Last bit of overly geeky horse shit: I’ve finally discovered why I can’t play original Xbox games in my 360: the hard drive. You see, my 360 is one of the slim ones, but it’s the matte black 4GB version. I discovered, much to my dismay mere weeks after I’d bought it, that 4GBs of memory simply aren’t enough if you want to install games and demos etc on your system. So off I went to eBay and I got an unbranded HDD for peanuts, whacked it in, and hey presto – more space than I’m ever likely to fill! Winner! Alas, I’ve since discovered that due to the lack of a partition for the saving of original Xbox game files, this unofficial hard drive renders the console unable to load original Xbox games...so no Halo 2 or Outrun 2 unless I go and give Microsoft even more of my hard-earned for an official hard drive. And to that I stick two fingers up.
It’s the Bristol half marathon this Sunday and I’ve already got my race number and timing tag etc. This’ll be the first race I’ve taken part in this year where I haven’t been totally smashed the night before, so I’ll be sure to divulge on here how I get on. Bearing in mind that all of the previous post night-out races have resulted in either personal bests (Sturminster Newton ½ Marathon) or podium finishes (Puddletown 3rd and East Manchester 2nd), I reckon it’ll be interesting to see how I get on.
Labels:
Films,
Games,
Motorbikes,
Piss and Moan,
Running,
Suzuki Goose
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